Teen Age Boy: September 2016

Canon Eos 70d I think best DSLR for mid-range semi-pro level DSLR
and most of the YouTubers use this DSLR because their video quality of this camera was really good because it has dual pixel auto focus

CANON EOS 70D

price -- Rs 6000 INR

Canon EOS 70D key features

1. 20.2MP APS-C 'Dual Pixel CMOS AF' sensor
2. DIGIC 5+ image processor
3. ISO 100-12800 standard, 25600 expanded
4. 7fps continuous shooting, burst depth 65 JPEG / 16 Raw
'5. Silent' shutter mode
6. 1080p30 video recording, stereo sound via external mic
7. 19-point AF system, all points cross-type, sensitive to -0.5 EV
8. 63-zone iFCL metering system
9. 98% viewfinder coverage, 0.95x magnification, switchable gridlines, and electronic level display
10. Fully-articulated touchscreen, 1040k dot 3" ClearView II LCD,
11 .Single SD/SDHC/SDXC card slot
12 .Built-in Wi-Fi
13 .Single-axis electronic level
14. Built-in flash works as off-camera remote flash controller
15 AF micro adjustment (can be set individually for up to 40
lenses, .remembered by lens serial number)
16. In-camera High Dynamic Range and Multiple Exposure modes

'17. Creative Filter' image processing styles, previewed in live view

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HERE I PRESENTED A TOP 5 DSLR

1. CANON EOS 1300D

Despite their low price point 'entry-level' cameras are incredibly important for manufacturers. These are the cameras with which the consumer starts their journey with a brand – and many of those consumers will stay with that brand for a very long time.

Because of this, you can get a lot of camera for relatively little money these days. The Canon EOS 1300D (badged as the Rebel T6 in the US) is Canon's latest entry-level proposition, and it's available at a great price for beginners, students or anyone new to DSLR photography.

The 1300D doesn't represent a major upgrade from its predecessor, the EOS 1200D – which itself was hardly a huge overhaul of the 1100D. It seems Canon has once again played it relatively safe with the spec sheet, which helps to keep the camera affordable for those all-important entry-level customers.

2.NIKON D3300

One of the biggest camera announcements at 2014's Consumer Electronics Show may well have been the little Nikon D3300 and its collapsible 18-55mm F3.5-5.6 VR II lens. It may not shoot 4K video or offer a curved LCD (those shows are all about the tech trends) but it does represent the next generation of Nikon's very popular entry-level DSLR line, and that in itself is noteworthy.
The D3300 sits at the bottom of Nikon's entry-level series, positioned as the friendliest of beginner-friendly DSLRs, just below the D5300. Don't be fooled by their class bearing though, both cameras use a powerful 24MP APS-C sensor. Opting for the D3300 rather than the D5300 means living with a fixed 3.0-inch LCD, rather than one that's fully articulated, and no built-in Wi-Fi.

3.CANON EOS 1200D

The Canon EOS 1200D (also known as the Digital Rebel T5) is the new entry-level model in Canon’s extensive range of digital SLR cameras, replacing the 3 year old 1100D camera. Aimed at first-time DSLR users, the Canon 1200D has an 18 megapixel APS-C CMOS sensor, Digic 4 processor, 3-inch LCD screen, 3fps continuous shooting, 9-point auto focus module, 63-zone iFCL exposure metering, ISO 100-6400 sensitivity, on-screen Feature Guide, stainless steel chassis and all-aluminium exterior, 1080p HD video capture with full control over exposure, focusing and sound levels, and a new EOS Companion smartphone app. The Canon EOS 1200D is priced at £349.99 / €419.99 body only, or £449.99 / $549.99 with the stabilised EF-S 18-55mm f/3.5-5.6 IS II lens.

4... NIKON D5200

As Nikon's 'advanced beginner' DSLR, the D5200 sits between the entry-level D3200 and the enthusiast-targeted D7100 in the company's most recent APS-C lineup. The D5200 offers 24MP resolution (like its APS-C stablemates), an articulated rear LCD and more physical controls than the D3200, but without the twin-dial interface and professional grade AF system of the decidedly higher market (and much more customizeable) D7100.

On the outside, the D5200 is virtually identical to its predecessor, the D5100, with external changes limited to a dedicated drive mode button on the D5200's top plate, stereo microphone grills atop the pentamirror - like on the Canon EOS 650D - and a slightly redesigned rear multi selector. The D5200's more significant upgrades lie 'under the hood'. Impressively, many of these are inherited from higher-end Nikon DSLRs, including a 39-point AF system with 9 cross-type sensors and ample frame coverage, and a 2016 pixel RGB color-sensitive metering sensor, both taken from the D7000. The D5200 borrows from the D7100 a well-implemented Auto ISO feature that is tied to the lens' current focal length.

Although the D5200 shares the same 24MP resolution as both the D3200 and D7100, the D5200 offers a higher extended ISO range compared to the D3200 (25600 vs 12800) and faster continuous shooting (5 fps vs 4). And the D5200, unlike the D7100, continues to use an anti-aliasing (AA) filter, although as we demonstrated in a side by side comparison in our D7100 review, it gives up precious little in terms of detail to its more expensive big brother.

For video shooters, the D5200 can record Full HD 1920 x 1080 movies at up to 60i or 50i (when set to NTSC and PAL respectively), although this uses a central crop of the sensor area. More conventional 30p, 25p and 24p modes use the full width of the sensor. In manual mode you have the option to take limited control of both shutter speed and ISO, but not aperture. And a stereo sound meter lets you adjust the level of either the built-in or or external mic, such as the optional ME-1 stereo mics.

The D5200 gets a processing boost over its predecessor. Nikon touts its EXPEED 3-branded processor as offering higher speed, better color reproduction and improved noise reduction. The D5200 also has an updated, cleaner design to the on-screen user interface that presents more information in a more-logical layout. This is welcome on a small camera with relatively few external controls since much of the user interaction is, by necessity, via the rear screen (and lots of button pressing).

The D5200 also supports Nikon's WU-1a Wi-Fi unit, which plugs into the camera's accessory terminal and allows images to be transmitted wirelessly to a smartphone or tablet for uploading to social media. The device can also be used as a remote control for the camera, complete with Live View.

5. NIKON D32000

The D3200 represents the latest generation of Nikon's entry-level DSLR offering. The camera's headline feature is inevitably the new 24MP CMOS sensor which makes it equal to Sony's Alpha SLT-A65, A77 and NEX-7 in offering the highest pixel count we've yet seen at the APS-C sensor size, and in terms of output resolution, second only to the full-frame professional-grade D800 in Nikon's entire range. More significant than the bare fact of the D3200's pixel count though is that it is available in camera with a starting price of $699 (the same launch price as the D3100 and Panasonic Lumix DMC-C G3, for comparison). The D3200 may not exactly be revolutionary, but it doesn't have to be. It just has to be competitive.

Pixel-count aside, the changes from the predecessor D3100 are subtle but, with 1080p30 video, a 920k dot LCD and the option to add an affordable Wi-Fi transmitter, there are clear benefits over the D3100's specification. As usual for Nikons at this level, the D3200 doesn't feature a built-in focus motor, and nor does it offer auto exposure bracketing. It also features a simplified version of the Active D-Lighting function that is now common across Nikon's DSLR range.

Also missing, oddly, are live view in-camera filter effects. Since Olympus introduced its Art Filters to the E-30 back in 2008, processing filters have become increasingly common on most cameras. And, while they're not an essential feature by any means, they're nice to have, especially in a camera at this level. Given that such effects are available in both the higher-level Nikon D5100 and the Coolpix P7100, their absence in the D3200 is unexpected. There is an option to re-process JPEGs, though, and apply several effects including simulated 'miniature' (tilt/shift) and 'selective color'.

Despite these omissions, the D3200 offers a compelling feature set for a camera in this class. We're especially pleased to see that you even have the option to trigger the shutter with an infrared remote - with the inclusion of sensors on the front and rear of the camera.

The inexorable rise of the mirrorless camera has undoubtedly put particular pressure on the entry-level end of the large sensor market. The smaller body sizes of mirrorless cameras, combined with their more compact-camera-like operation has helped win over some people who would otherwise have bought a DSLR, as well as drawing people away from high-end compacts. However, entry-level DSLRs still have a lot to offer - not least 'true' continuous autofocus that no mirrorless camera has come close to matching (aside from Nikon's own 1 V1 and 1 J1, which feature smaller 'CX' sensors).

Although its upgrades aren't necessarily the product of great leaps of ingenuity, the D3200 is a continuation of a carefully evolved - and tailored to suit its market - line of cameras, that has always offered good image quality and performance combined with well thought-out ease-of-use

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